Each story on 100DayAlive is a 100-day branching narrative. You play one decision per day. Choices unlock or close future days, recover lost progress, and shape the ending. Stories ship in nine languages — English, Spanish, French, German, Italian, Japanese, Korean, Simplified Chinese, and Traditional Chinese — and we use the same image set across languages so localization stays affordable.

We focus on tightly scoped survival scenarios — a ghost bus on a highway, the last courier in a frozen city, a haunted midnight taxi — instead of open-world systems. The constraint is the appeal: 100 days, 2 choices, no respawns.

Each draft begins as a structured outline: 100 day-nodes, branching pairs, survival metrics, and a 'big beat' every reward interval. A writer and an editor pass through every chapter; the imagery is generated and curated; then the story is reviewed in ten-day batches before it ships.

We publish process notes alongside stories when it adds value — what we cut, where we got stuck, which playthroughs surprised us. Authorship matters: we credit the writer, editor, and any external collaborators on every story page.

100DayAlive is a small independent studio. We started in 2025 to test whether tight constraints — short choices, short days, no save scumming — could revive the feel of early branching gamebooks for a phone-first audience. Today we ship one new story line every few weeks and translate the catalog across nine languages.

Stories should be replayable but not infinite. Choices should feel honest — losing a run is part of the contract. Localization should be a first-class concern, not an afterthought. Player data is the player's own. We disclose every external dependency on our privacy page.